RED WEST GATE

Glocal West Gate
Jiading | Shanghai | China
 
Introduction
 
This project was developed within the context of a closed competition by invitation organized by the local Government of Jiading, in which their aim was to renovate the traditional West Gate to downtown Jiading.
 
Occupied by a local wet street market, the West Gate has been losing over time the cultural relevance and significance that had on the past.
 
 

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It is a massive red platform that extends throughout the entire wet street market generating an alternative elevated pathway on the 2nd floor that provides of new retail and cultural spaces.
 
The red elevated walkway has a big and striking featured public space right in the middle of the street, a space for the people, thought and designed to encourage social interactions, contact and relationships among users. A place to sit, talk, share, teach, learn, rest, etc…
 
 

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©100architects


The new proposal was intended not only to bring back the relevance of all this cultural heritage, but also reactivate the area by the injection of commercial and cultural activity.
 
Understanding the wider context of the city of Jiading allowed us to draw inspiration from the traditional environment. With almost 800 years of history, Jiading is a town with a strong craftmanship tradition and a well-known culture of tolerance and respect to the coexistence of different ideas and beliefs. It has been historically famous for its educational institutions, a big tradition of passing on the knowledge.
 
 

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The DNA of the place
 
The total area of the renovation is 5950 m2, in which we aimed to identify the cultural DNA of the area and to address and highlight it through our design and program, in order to provide a new scenario for its reborn, passing on its heritage.
 
They can be as simple elements as the pavement material of the West Street, or the little patios hidden behind the walls, or complex characteristic carpentry and woodwork present in the most significant façades.
 
The proposal can be summarized as a cumulative process of several key points based on the idea of preserving the old & traditional soul while embracing new & contemporary solutions.
 
 

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©100architects


1. Preserving the key buildings, the most significant ones & kept in better conditions, in order to preserve the memory of the past settlement. 2. Preserving the old street pathway and materials, as the footprint that carries the soul of the old street 3. Taking advantage of characteristic elements of the site, such as the waterfront, and the patios, in order to enhance the way visitors, experience the public space. 4. Creating an alternative elevated pathway on the 2nd floor, increasing the linear meters of retail + cultural spaces while boosting the perception of the surrounding area, visually striking due to its different color and materiality, providing strength and personality to the architectural proposal. It is both, an aesthetical and a commercial strategic improvement. 5. Introducing a platform for an alternative type of cultural retail, workshops, galleries, etc…, which will culturally enrich & complement the regular retail scheme.
 
 

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The Multilevel Strategy
 
The pedestrian platform on the 2nd level is one of the most important innovations with regard to the current existing situation. It is both, a commercial and a functional + aesthetical strategic improvement.
 
It is a huge commercial strategic improvement since the length of potential commercial façades facing the pedestrians is multiplied by 3. This means that where we previously had roughly 200 meters of commercial façade, now we could have around 600 meters of façades from rentable spaces, making the intervention economically more feasible.
 
 

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©100architects


Fundamentally based on the idea of « giving something back to the society », it improves not only the commercial activity, but also the public space of the whole area. Not only retailers, sellers or local craftsmen and artisans would benefit from the new proposal, but also the entire community of West Gate in particular and Jiading in general. They would have a new public space to meet, to share, to walk, to talk, to learn, to relax, to laugh & have fun.
 
 

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©100architects


 

©100architects


 
Credits
 
PROJECT NAME: Red West Gate
DESIGN: 100 Architects (Shanghai)
DESIGN TEAM: Marcial Jesús, Javier González, Vivian Song
CLIENT: Friends of West Market Street
SIZE: 5950 m2
STATUS: Unbuilt
LOCATION: Jiading West Gate, China
 
 

SUSPENDED HEXAGON

The Suspended Hexagon
London | UK
 
What if public spaces could transcend the confines of the ground? Welcome to the Suspended Hexagon, an awe-inspiring installation that challenges traditional concepts of urban furniture. This suspended public space, detached from the ground, offers a new way to envision and experience public realm in cities.
 

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© 100architects


How does it work? The entire installation hangs gracefully from wire ropes, rigged to a main metallic structure held by two cranes on-site. By defying gravity, the Suspended Hexagon reimagines public space, avoiding physical occupation of the land and proposing a virtual colonization that leaves the raw space untouched.
 

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Located in the vibrant Euston Square Gardens, along a bustling pedestrian pathway between the train station and Camden, the Suspended Hexagon beckons visitors to explore its unique offerings. Traditionally, urban furniture has been designed to be attached to the ground, limiting flexibility and versatility. However, we believe that public functions can be provided while being detached from the physical space itself.
 

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Hanging furniture is not a new concept, but we aim to bring it to the public realm on a larger scale. Private interior spaces have seen the exploration of hanging furniture, but our challenge at 100architects is to create a public multifunctional hanging platform. This platform presents a condensed program of various functions, all provided from above.
 

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Our vision for Euston Square Gardens is to transform the fast-paced pedestrian flow into a stationary square—a place where people don’t just pass through but instead slow down, stop, and enjoy the surroundings. Can we captivate the attention of those rushing to catch a train or hurrying to their offices or universities?
 

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The Suspended Hexagon takes the shape of a mesmerizing hexagon divided into six equilateral triangles. Each triangle hosts a different function, boasting its own character, mood, color, and materiality. The entire structure, including all its parts, hangs from another structure or crane without touching the ground—a truly captivating sight.
 
Let’s explore the diverse functions within the Suspended Hexagon:
 

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The Hammock Forest: Picture 21 fabric lianas hanging from the triangular wooden grid, forming a secondary structure that invites relaxation and connection with nature.
 

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The Laying Nets: Delight in three hexagonal laying nets made of durable nylon, accompanied by 12 solid triangles that serve as seating areas or tables for those resting on the nets.
 

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The Hanging Picnic: Experience the joy of dining and socializing on suspended tables and chairs—nine of each—creating a novel setting for conversations, work, reading, sipping coffee, studying, and more.
 

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The Cavity: Step into a multifunctional space with a curved ceiling that enhances acoustics, offering an inviting retreat for various activities and gatherings.
 

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The Blanquets: Encounter three large synthetic hammocks hanging from the triangular wooden grid, providing cozy spots to unwind and enjoy the surroundings.
 

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The Playground: Engage in playfulness with nine fabric “socks” housing playful pendulum systems, each containing a plastic ball inside, inviting laughter and interaction.
 
The Suspended Hexagon is a testament to innovative design, pushing the boundaries of what public spaces can offer. It invites visitors to reimagine the relationship between people, architecture, and gravity itself. Prepare to be enchanted as you enter a suspended realm, where function meets artistry, and the extraordinary becomes the norm.
 
Join us in embracing the Suspended Hexagon—a vibrant testament to the limitless possibilities of urban design and a remarkable addition to the dynamic cityscape of London.

VERTICAL TIMES

Vertical Times
Times Square | New York | USA
 
Introduction
In this specific case, 100architects was asked to explore the possibilities of inserting public functions and environments typically associated with urban parks within Times Square, in order to give a commercial twist to the current cityscape offered by the place to both, citizens and tourists. Basically, turn the Square into a more livable and enjoyable space with a strong urban character.
 
 

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When thinking about Times Square, about how to occupy and modify the scarce available space, and how to create an impactful effect in a place already quite impacting by itself, immediately 2 concepts became the most representative, VERTICALITY and DENSITY.
 
In this era of fast-growing cities and hyper-dense urban environments, numerous theories have arisen around the concept of “compact cities”, about how to manage and optimize this density and diversity, in order to impact positively on cities’ spatial and ecological footprint, and improve their efficiency in terms of land, resources and energy consumption.
 
Vertical Times is a project driven by all this questions, and by the opportunities that appear from them, calling for an exploration of new ways of thinking and understanding urban public spaces, their new morphologies and the new roles they will play in future cities.
 
 

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©100architects


 

©100architects


Concept
The main conceptual idea of Vertical Times lies in multiplying the intended space for public recreation in a vertical way, compacting it in an inhabitable object, sort of imitating the growth model of NYC, due to the lack of available space. A so-called Vertical Park.
 
It sets a different approach in the design of public space, no longer needing to be large horizontal extension of land, but rather a multilayered metabolism with a softer impact on land consumption, and mimicking better with its urban surroundings, while establishing a highly recognizable landmark in the city.
 
 

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©100architects


Functions
The first 2 platforms would be dedicated to Kids recreational areas, such as Playground in the 1st platform and a Balls Pool in the 2nd platform. The next couple of platforms would be intended to host the functions related to public relaxation & green areas, with a Hammock Plaza in the 3rd platform, and a Sky Garden in the 4th one.
 
And finally, the top 2 platforms would host the F&B commercial areas, with a Restaurant on the 5th platform and a Sky Bar on the top 6th platform.
 
 

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Structure
The structure is a concrete-steel combined system, based on a reinforced concrete central core, acting as main column transmitting the loads to the ground, as well as hosting the central lift; and radial steel beams supporting each platform. There is also a secondary structure of metallic tensors on the exterior of the cylinder, absorbing vibrations.
 
Dimentions
The shape can be inscribed in a virtual cylinder of 12 m. of diameter and 55 m. of total height. In plan view, the area that the volume occupies is just 113 m2, however the structure is design to completely release the ground floor from any structural element except the central column.
 
 

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Credits
 
PROJECT NAME: Vertical Times
DESIGN: 100 Architects (Shanghai)
DESIGN TEAM: Marcial Jesús, Madalena Sales, Javier Gonzalez
CLIENT: Undisclosed
SIZE: 676m2
STATUS: Unbuilt
LOCATION: New York, Time Square, US
 
 

URBAN LUNG

Urban Lung
Shnaghai | China
 
The object known as “the urban lung” derives its name from its unique cylindrical structure, adorned with lush greenery. Its metal framework allows plants to climb and settle in a cylindrical shape, creating a captivating spectacle that reaches a remarkable height of over 8 meters.
 
 

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At its base, this project serves as a platform for interactions, transforming into an object-plaza where people can relax and engage in recreational activities. Its distinctive morphology provides a diverse range of functions for public use, offering a landscape of possibilities.
 
Above the object-plaza rests the cylindrical green lung, a vertical structure standing 6 meters tall, extending the total height to 8.4 meters. This green cylinder serves as a vertical wall, creating a refreshing and unconventional space that acts as a natural absorber of smog, particles, and other pollutants commonly found in polluted cities.
 
 

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The green vertical cylinder is adorned with a carefully selected variety of plants that serve as nature’s purifiers. These resilient and adaptable species possess remarkable capabilities to absorb and filter pollutants that plague our urban environments. The foliage includes a mix of air-purifying plants such as ferns, ivy, spider plants, and peace lilies, each contributing to the cleansing process in its unique way. They actively absorb harmful particulate matter, including dust, smoke, and soot, effectively improving the air quality within their green embrace.
 
Additionally, these plants are adept at absorbing gaseous pollutants like carbon dioxide, nitrogen dioxide, and volatile organic compounds (VOCs), which are common contributors to urban pollution. Through their natural processes, these plants play a vital role in mitigating the harmful effects of pollution, creating a fresher and healthier atmosphere for the surrounding area.
 
 

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This project is not only a sculptural masterpiece but also an authentic piece of street architecture. It becomes a memorable focal point, attracting attention and serving various functions beneath the green cylinder. From a slide playground and grandstand to a table area or wooden deck, it provides users with new and exciting ways to enjoy public space while contributing to the purification of the air we all breathe.
 
 

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Elevated from the ground, the silo acts as a prominent landmark and a wayfinding element. It enhances the surrounding cityscape, creating a visually stunning and playful landmark that draws people in and encourages interactions. Moreover, it has the potential to serve as an ideal catalyst for commercial schemes, adding value to the urban environment.
 
 

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This proposal represents a fresh perspective on public space, bringing it closer to the users and generating a strong sense of identity. By introducing new possibilities to urban spaces, it fosters a vibrant atmosphere and invites people to experience the city in innovative ways.


 
CREDITS:
 
Project Name:Design: 100architects (Shanghai)
Design Team: Marcial Jesús, Javier González.
Completion: February 2016
Location: Shanghai, China
 
 

FUN FINDER

Fun Finder
Xintiandi, Shanghai | Winter Festival | KTGA
 
100architects was commissioned to develop an interactive installation for the Winter Festival 2015 of KTGA (Kick the Gong Around), a company specialized in organizing immersive events and festivals as Narrative Environments, physical or virtual spaces in which stories can unfold.
 
The project took place in an unfinished structure of a shopping mall right in Shanghai downtown, at Xintiendi, one of the most glamorous streets of China.
The unfinished mall opened its doors for becoming a semipublic space to host the KTGA winter festival 2015.
 
 

© Amey Kandalgaonkar


String Theory| Fun Finder | 100 Channel





 

© Amey Kandalgaonkar


For this specific event, KTGA and the event sponsor, PERRIER WATER, requested us to create a vivid journey across detailed spaces, building a unique experience that would remain in visitors minds forever.
 
In order to achieve that, we reinterpreted the concepts of installation and interactivity. On one hand, morphing the proposal from a simple installation into a people’s attractor, catching the attention of visitors, and on the other hand, running away from trendy high-tech interactions, and, instead, focusing on a simplistic vivid journey across spaces as generator of the attraction itself, reducing the meaning of journey to its bare minimum: the path you journey through.
 
 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


Therefore, the installation was conceived as a signage project, but rather than concentrating it on the destinations (different spaces across the venue which one could reach), we opted for emphasizing the paths themselves, creating unique visual experiences for each path, prioritizing the enjoyment of the way over the destination.
 
Seeking to maximize the visual impact, the project was displayed in both, 2D and 3D paths combined together, beginning with a three-dimensional sculptural signage, which would colonize the central void of the venue to make it visible from any place, and materialized with colored nylon strings. Those strings would provide first hints about destinations to reach.
 
Once the 3D stripes collide with the floor, they become a two-dimensional splash of vivid colors invading the whole floor with funny and intriguing patterns that would provide second hints about the destinations. Those 2D stripes were materialized with PVC vinyl stuck on the floor.
 
 

Master Drawing by 100architects


 

Conceptual Image by 100architects


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


Making Off| Fun Finder | 100 Channel





 
Credits
 
PROJECT NAME: Fun Finder
DESIGN: 100 Architects (Shanghai)
DESIGN TEAM: Marcial Jesús, Javier González
CLIENT: KTGA + Water Perrier
SIZE: 2,280 m2
STATUS: Built
LOCATION: Xintiendi, Shanghai (China)
 
 

THE SOCIAL UNIT

The Social Unit
West Bund | Shanghai | Object Plaza
 
Concept
The concept is to generate a scalable object as a platform for enhancing social interaction synergies, hosting multiple functions and several users at the same time.
A multi-functional object for resting and playing, it can host up to 5 users simultaneously. Its shape is specially designed to encourage social interactions among its users. It offers an elegant spot to stop, rest, sit, lay down, contemplate, observe, chat, play, and any other activities that users may come up with.
 
 

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© Amey Kandalgaonkar


The Social Unit is a trial to catalyze the integration of social interactions in residual public spaces of the renowned West Bund, Shanghai’s new art district.
After a process of rapid & radical urban transformation of such a scale, which turned the industrialized area into a Cultural Corridor, arises the opportunity of revitalizing residual pedestrian areas at the bank of Huangpu River.
 
 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


As a small scale response to that matter, Cloud in the Bund appears as a mixed-use “object” that lies between urban furniture, sculpture, art and public space.
It is a multifunctional object designed to be used simultaneously by several people, literally to ease social interactions, offering an elegant spot to stop, rest, sit, lay down, contemplate, observe, chat, play, and any other activities that users may come up with.
 
In fact, its shape has been intentionally designed providing enough hints of how to use it, but flexible enough for the users to reinterpret it and customize their own way of using it, hence the object looks quite different from each side.
 
 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


The aim was always to concentrate different functions in a single volume, which through its morphology would allow the users to interact from all its sides. , It is a condensed functional landscape for leisure.
The object has been thought as a scalable modular urban furniture, able to grow in size & program by adding more functions to it.
 
 

© Amey Kandalgaonkar


 

© Amey Kandalgaonkar


This scalable functionality, added to the high performance of its materiality, makes it highly versatile to be displayed in different public colliding spaces, from riverfronts to squares, from pedestrian streets to hotel lobbies or shopping malls, etc…
The intention of making it look as a homogeneous and continuous object, as well as suitable for both, interior & exterior spaces, has led us to fabricate it in a solid-continuous surface, therefore the chosen material was Dupont Corian Solid Surface, due to its high performance and outstanding aesthetics.
 
 

© Amey Kandalgaonkar


 

©100architects


 
Project Credits
 
Project name: The Social Unit
Design: 100architects
Design team: Pang Xin, Marcial Jesus, Javier Gonzalez
Production: Dupond (Shanghai)
Location: West Bund, Shanghai, China
Area: 4 m2 (2 x 2 m.)
Completion: March 2016
Photographer: Amey Kandalgaonkar
 
 

SELFIE WALL

The Selfie Wall
Lisbon | Portugal
 
The Selfie Wall is a vertical “painted scape” in which there are a great variety of silhouette and funny drawings proposing and suggesting different positions for interactions and photography.
 
It is a 2d configuration that only by painting and drawing shapes it adds a new function to an existing wall.
It is a colorful, playful and very suitable for placemaking for renewing urban contexts.
 
 

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Selfie Wall official movie | 100A Chanel




 

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This project it is one of the first that we have done, It was developed in our shanghai studio yet executed and build in Lisbon Portugal for a private event in 2014. It is only a prototype since it was there only for a few days amusing people in the event.
 
Among the proposed functions there are an artist spot, a meeting point, directional arrows, hairstyles silhouettes for selfies and many more funny shape that suggest interactions with the wall and also among the visitors.
 
This project provides opportunities of constant transition between the virtual and the material world.
 
 

© Subtilography


 

© Subtilography


 

© Subtilography


It is especially interesting how projects like this one create a considerable impact in the social media since it invites the user to take pictures and upload them with a particular hashtag. It became a shortly yet significant landmark of the virtual space.
 
The project can have a permanent or an ephemeral spirit. It is a colorful, playful and renewed image that invites to experience the space from an unexplored perspective.
 
 

© Subtilography


 

© Subtilography


 

© Subtilography


 

© Subtilography


 

© Subtilography


 

© Subtilography


 
Credits
 
PROJECT NAME: Selfie Wall
DESIGN: 100 Architects (Shanghai)
DESIGN TEAM: Marcial Jesús, Madalena Sales
CLIENT: Undisclosed
STATUS: Built
LOCATION: Lisbon, Portugal
COMPLETION: 2014
 
 

GRASS DOT

Grass Dot
Shanghai | China
 
The grass dot is a walkable spherical dome covered by synthetic grass lawn becoming a great green surface to walk, rest and enjoy. It is an object plaza that host different leisure functions on top.
 
It is an interactive, multipurpose installation, which attracts curious onlookers and encourages engagement from adults and children alike. The objective is to introduce the concept of instant project by generating surprise with the unexpected landing of this green island. Among many possible uses, the installation can be a mainstay for product launches and or brand promotion through a creative medium.
 
 

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©100architects


The ultimate objective of this piece of street architecture is to catalyse human interactions, and importantly, activate the place in which is located attracting users and clients.
 
The structure is composed of 16 steel radial trusses arranged circularly shaping the spherical dome. Those trusses are attached to crossbeams to provide stability and support for the cover. This steel structure is covered with OSB wooden panels producing a walkable wooden deck, providing the horizontal bracing.
Additionally, The spherical dome is all covered by synthetic grass lawn becoming a great green surface to walk, rest and enjoy.
 
 

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©100architects


 

©100architects


The Grass Dot contains 5 functions:
A walkable green lawn to laydown or walk (112m2), A table deck with a table and parasol (20m2), a bleacher and grandstand for seating (44m2), A lounge seating area (14m2), and a hammock mesh to lay down(10m2).
 
The object outline is a circumference of 7,8 meters radio, that occupies an area of 198m2, and it requires a free, flat and uncovered space of minimum 16×16 meters. The optimal location would be close to a public pedestrian circulation flow in the outdoor public space.
 
Finally, The Grassdot is a prototype of urban intervention that its main purpose is providing of a platform to rest, however could be used to promote brands, products and attract customers while being a fun and safe resting platform.
 
 

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©100architects


 

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©100architects


 

©100architects


 

©100architects


 

RED ROUGE

Red Rouge
 
The proposal for Bar Rouge aims to reimagine Shanghai’s iconic skyline by capitalizing on the club’s most distinguishing feature—the breathtaking views of Pudong, Shanghai’s renowned skyline. Situated on the privileged balcony, Bar Rouge’s terrace offers patrons the opportunity to savor well-crafted cocktails while relishing the mesmerizing vistas of the new Pudong area, making it an exceptional attraction in itself.
 
 

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With a clear focus on maximizing the visual impact of the outdoor area while minimizing disruption to the bar’s regular operations, the key concepts guiding the design process are “skyline,” “terrace,” “visual impact,” and “business activity.” This project is presented to VOL Group, a prominent player in the Shanghai food and beverage industry.
 
 

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At 100architects, we firmly believe that social dynamics and public interactions extend beyond conventional public spaces to what we refer to as “semi-public spaces.” These spaces, though privately owned, possess a strong public character, facilitating gatherings and interactions similar to those found in true public areas. Bar Rouge, located atop the Bund 18—a landmark building in Shanghai housing art galleries, upscale brands, and fine restaurants—serves as a prime example of such a semi-public space, attracting a diverse array of social interactions.
 
 

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To align with the keywords and concepts, we introduce the concept of “RED ROUGE,” a new VIP Lounge area strategically positioned on the terrace’s edge. Replacing the existing lounge sofas, RED ROUGE competes visually with the iconic skyline, creating a new architectural object in the shape of the skyline itself. This innovative addition attracts clients, infuses fresh dynamics, and serves as a signature backdrop for the most photographed view at Bar Rouge.
 
 

© 100architects


 

© 100architects


The objective of RED ROUGE is to entirely transform the space without disrupting regular business operations, while elevating revenue through a contemporary and metropolitan VIP experience. This multi-functional object features five distinct shapes, each catering to a unique way of inhabiting the VIP area:
 
1_Table-seating area: Hosting groups for table-drinks activities, accommodating up to 6 to 8 people, with an embedded drink showcase on the wall.
2_Lounge cubes: Informal seating for 6 to 7 people, with ample standing space around them.
3_The grandstand: A curved space introducing an interesting area and encouraging curiosity, with benches capable of hosting 3 people on one side and a three-level grandstand accommodating 9 people on the other side.
4_The bench: Simple seating for up to 6 people.
5_Projection wall: Serving as a platform for images and movies, also providing seating for 3 people.
 
 

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The uniqueness of these shapes not only captivates the eye but also invites different forms of interaction, enhancing the VIP experience at Bar Rouge. To augment the visual aesthetic impact, we have chosen to construct the object entirely using Corian Solid Surface—a high-performance and aesthetically pleasing material, popular among architects and designers.
 
Staying true to Bar Rouge’s corporate color, red, our installation, Red Rouge, naturally adopts this vibrant hue. The decision to maintain a consistent red color throughout the entire VIP area reinforces its image and visual impact on the terrace, creating a striking and unforgettable ambiance.
 
 

© 100architects


 

© 100architects


 

© 100architects


 
Credits
 
PROJECT NAME: Red Rouge
DESIGN: 100 Architects (Shanghai) Co., Ltd.
DESIGN TEAM: Marcial Jesús, Javier González.
STATUS: Unuilt
LOCATION: Shanghai (China)
Renders: 100architects
 
 

WALKIE-TALKIE

Walkie-Talkie
WALKIE-TALKIE is a “built” elongated plaza, in which the space is filled with mass, building soft volumes that invite for interaction.
It is a typology that we call “sidewalk plaza” since it is meant to be located alongside a pedestrian path or any pedestrian flow in public or semi public spaces.
 
5 different components are established serving the sidewalk and the pedestrian passers-by: seating grandstand, Lounge planter, Discussion & study table, Mini cinema and Elastic bed. The 5 functions work in both ways, independently and collaboratively: they can be arranged in different modes, giving plenty of options for different sequences and configurations. This proposal is highly flexible and it provides opportunity for any eventual unpredictable change.
 
 

© 100architects


 

© 100architects


Module and Materiality
The proposal follows a modular system with a cube as base geometry and smallest unit. This is a due to its flexibility and ease as a mobile piece to assemble bigger objects in the public space.
 
It is combination of three different modules:
01. The single cube ( 450mm W x 450mm L x 450mm H)
02. the middle size block – volume equivalent to 3 cubes ( 450 mm W x 1350mm L x 450mm H)
03. the big size block – volume equivalent to 5 cubes ( 450 mm W x 2250mm L x 450mm H)
 
The main material used is high compression, high density polyurethane base foam, top and ends laminated with 2” of cross linked polyethylene, 2” polyester web handles and with special Velcro placement along the edges connected side-by-side, end-to-end or on top of one another.
 
 

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© 100architects


 

© 100architects


Functions
The uses and activities proposed are a mini theatre for projections, a debating table for spontaneous interactions, a megaphone platform, where diverse Street artists and musicians perform freely, meeting points, grandstands for observing performances, elastic bed and a lounge area among many others. These uses naturally complement the dynamics that arise spontaneously on any elongated circulation space.
 
It can be positioned alongside of any elongated space, sidewalk or existing plaza, facilitating new forms of collective gathering and engagement with the city.
 
It is street architecture without ground that can accompany any existing space where there is a constant flow of people, and because its atomized nature, it can be easily moved, recycled, taken away and placed again and again.
 
 

© 100architects


 

© 100architects