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幸运币

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幸运币

将10个功能融合在一起的巨大的黄色装置

12
幸运币

© 100architects

01

12月

2014

香港

Asia/Hong_Kong

Cantonese

Population: 7 Million8 in 2025

GDP: 225 424 in 2025

BigMac: 3 美元

幸运币
香港, 中国 | 地面装置
 
该项目位于香港，毗邻位于九龙的公共码头的珠江，面向香港岛。
 
该项目现场与香港文化中心、香港艺术馆和香港空间博物馆等多个文化场馆紧挨着。
 
 

©100architects

 
此处的地理优势特点在于，不仅可以欣赏到香港岛的迷人风光，而且还可以与周围地区活跃的人流和文化场所互动，成为对游客和路人的标志性引流之地。
 
 

©100architects

 
在此种情境中，该项目的意图是在有限的空间内整合多种用途和功能。 设计采用大规模地把新的功能和新事物注入到系统性的使用中去，提供商业和娱乐空间以及互联网热点，可以同时持续地与虚拟世界互动。
 
 

©100architects

 
这个主题广场从本身便展示了香港，密集的文化和浓郁的生活方式，并为大众创造一个可识别的元素。由于空间的微小差异化融合和界定了多用途的可行性，从而塑造了一个充满活力和文化活跃的区域。
 
 

©100architects

 

©100architects

 
整个装置包含有10个不同功能的活动平台，每个垂直平台独立地镶嵌着形成圆形林廓。 而其功能包括一间餐厅，一个游乐场地，绿地，用餐区，活动区，休息区，吊床区等。
 
除了商业和娱乐功能外，该项目的外观和色彩也给人以强烈的感受。 它引人注目的外观和高本体感受的地标，可以激发强烈的感觉体验。
 
 

©100architects

 
幸运币的概念是与中国文化传统财富符号相呼应，它的形状来源于，清朝时期（1644-1912年间）被广泛使用的传统古代中国钱币的形状。
 
圆形是该装置的主造型，圆形中间留有方形空间，类似中国古代铜钱造型。这个场地是所有功能平台的中心交集段，是一个高度适应性的空间，它连接不同的平台，同时充当功能区域。
 
 

©100architects

 
该项目的主要材料为涂有黄色和粉红色油漆的木甲板平台、涂漆铝结构、橡胶路面，并辅之以灯杆和铝栏杆等室外照明系统。
 
 

©100architects

 
最终，该项目是各种社交动态的催化剂，将城市景观与日常生活联系起来，强调了两者的独特性。用户可以进行多种活动的空间体验，从而赋予了用户对本项目的特征认同感。
 
 

©100architects

 

©100architects

 

©100architects

 

©100architects

 

©100architects

 

©100architects

 
 
项目信息
 
项目名称: 幸运币
设计方: 佰筑建筑设计咨询（上海）有限公司
设计团队: Marcial Jesús, Madalena Sales
客户: 未披露
面积: 3,280 m2
状态: 未建
项目地点: 中国香港

About

幸运币

整个装置包含有10个不同功能的活动平台。该项目的意图是在有限的空间内整合多种用途和功能。

要了解更多，请点击上面！

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社区介入

More images

© 100architects

该项目位于香港，毗邻位于九龙的公共码头的珠江，面向香港岛。

© 100architects

© 100architects

该项目现场与香港文化中心、香港艺术馆和香港空间博物馆等多个文化场馆紧挨着。

© 100architects

© 100architects

在此种情境中，该项目的意图是在有限的空间内整合多种用途和功能。

© 100architects

© 100architects

设计采用大规模地把新的功能和新事物注入到系统性的使用中去，提供商业和娱乐空间以及互联网热点

© 100architects

© 100architects

除了商业和娱乐功能外，该项目的外观和色彩也给人以强烈的感受。

© 100architects

© 100architects

除了商业和娱乐功能外，该项目的外观和色彩也给人以强烈的感受。

© 100architects

© 100architects

整个装置包含有10个不同功能的活动平台，每个垂直平台独立地镶嵌着形成圆形林廓。

© 100architects

© 100architects

它引人注目的外观和高本体感受的地标，可以激发强烈的感觉体验。

© 100architects

© 100architects

这个场地是所有功能平台的中心交集段，是一个高度适应性的空间，它连接不同的平台，同时充当功能区域。

© 100architects

© 100architects

幸运币的概念是与中国文化传统财富符号相呼应，它的形状来源于，清朝时期（1644-1912年间）被广泛使用的传统古代中国钱币的形状。

© 100architects

© 100architects

这个场地是所有功能平台的中心交集段，是一个高度适应性的空间，它连接不同的平台，同时充当功能区域。

© 100architects

© 100architects

该项目现场与香港文化中心、香港艺术馆和香港空间博物馆等多个文化场馆紧挨着。

© 100architects

© 100architects

这个主题广场从本身便展示了香港，密集的文化和浓郁的生活方式，并为大众创造一个可识别的元素。

© 100architects

© 100architects

圆形是该装置的主造型，圆形中间留有方形空间，类似中国古代铜钱造型。

© 100architects

© 100architects

这个项目的产生是基于在一个涵盖了10种功能的多功能公共空间平台的想法。

© 100architects

景观建筑

社区介入

社区介入

© 100architects

什么是社区介入?
社区介入是发生在城市空间尺度的中等规模的介入，与改变一个社区的部分区域有关。这种规模和关注度如此之大的介入手法，不仅直接影响周围的城市环境，更重要的影响着整个社区的城区动态，成为当地区域性地标和特定社区社交的吸引点。
 
在大多数情况下，这种类型结合了几种介入方式，例如彩绘景观和地面装置，几乎从景观设计的角度介入现有的城市环境，通过创造集体休闲，娱乐，玩耍和欢乐等机会的空间，驱动整个社区的最主要社交互动。
 
这种类型的主要目的是通过强烈的视觉冲击（通常是永久性的），激发公众对该地方的巨大兴趣，促使场地丰富度的提高，并建立一个城市地标，可以培养重要的人文活力和促进商业活动。

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这是一个以想象中的“糖果世界”为灵感的项目，借用了流行文化物品的形状和颜色，如糖果手杖、棒棒糖、冰棍等。
项目位于一栋商业建筑旁，打造了一个醒目且功能齐全的公共空间，吸引了各类用户。

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This slide coming out from the jellyfish is so fun!

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出版

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The Nest in Here Graphics book from Korea

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The Nest in another example of eye-catching and hyper-stimulating design done by 100 Architects to improve and beautify the urban public realm, in this case in the city of Chengdu. the capital of the Chinese province of Sichuan.

The Nest in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom is a new example of eye-catching urban playscape designed by 100 Architects on the rooftop of Gateaway One, a newly built shopping mall in Nanshan District, Shenzhen, China.

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100architects

100architects
Shanghai Smart Booths is the result of 100architects’ second collaboration with the Shanghai Branch of China Telecom, the state-owned Chinese telecommunications company, after our previous Orange Phone Booths, where we did an exercise of turning these old relics into modern functional urban furniture. This time we went beyond that. Once essential technology that played a great role in connecting thousands of people across cities and countries, phone booths these days are disappearing from the face of the cityscapes. The city of New York, for mentioning one, bade its farewells to the last free-standing phone booth on May 23, 2022. Unable to meet the demands of the rapidly changing daily communication needs of urban dwellers, the phone booths that are still standing in Shanghai are seen as telecommunication relics, forgotten, neglected, and sometimes sadly mistreated. The new Shanghai Smart Booth is a unique type of urban artifact powered by solar panels on its roof, a sophisticated design that demonstrates the infinite potential of creative thinking about the urbanscape and public realm. Equipped with a variety of new features, these technologically upgraded versions of old iconic Shanghai phone booths cater to the needs of the progressive tech-savvy population of Shanghai as much as to the safety needs of the elderly who may still remember using phone booths for their primary function. In addition to a free three-minute phone call, these new, yet traditionally red, digitalized phone kiosks offer around-the-clock Wi-Fi hotspots, 5G transceivers, wireless charging for mobile devices, as well as USB connectivity, touch screens with city maps and easy one-click taxi-hailing services. A panic button along with such artificial intelligence features as face recognition is meant to assist the elderly and tackle an alarming problem of elderly people going missing in China. Designing with practicality and functionality in mind, we couldn’t leave the fun out and slotted in a selfie wall that will be surely favored by selfie kings and queens, providing this booth with a new fun way to interact with its users. To revamp the old booth while yet keeping the aesthetic soul and recognizable features of the old version (rouge red color, sloped hat on top, boxy shape), the defining features of our new design became soft lines, rounded edges, minimalist smooth surfaces, and functional thoughtful details. The addition of a pinch of color-contrast between the outer red layer and the inner black meandering stripe contributed to inject strength and power to the contemporary statement wanted to be made. Such integration of functional upgraded digital features in the contemporary look and feel of the new China Telecom phone box is an effort to make the phone booth an essential part of the cityscape again, and a part of the collective urban consciousness, a place to connect and interact, a place to recharge, slow down and have a cup of coffee, to take a shelter from rain or sizzling heat, and most importantly, a place to create a link that connects phone booths with the past, present and future of this city's history.
Shanghai Smart Booth by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_zNy3uoyaOjM
Mă Way is yet another twist in our recurring series of projects revolving around the concept of the Horse for our regular client, Dong Yuan. First came the popular HorseBox in Chengdu; soon after, the least abstract ones, HorseLand & SeaHorse, both in Chongqing; and finally, the latest, largest, and most famous one, Pegasus Trail also in Chongqing. After 4 different successful projects exploring alternative ways of playing around the same Dong Yuan’s IP image of the Horse, they reached out to us a 5th time for yet another fun twist. This time, for the public realm of a newly built residential development in the city of Hangzhou, our response was a bit more calligraphic: A playscape driven by the actual shape of the Chinese character Mă (马) which guess what? Yeah, it means Horse. In order to be visible, recognizable, and even readable from all the surrounding residential towers, we created a huge Chinese character in eye-catching monochromatic aquamarine green color and then turned it into a playscape. We realized that the character’s calligraphic stroke, when geometricized, was ideal for becoming a playful path or Way of entertaining activities filled with challenging obstacles & fun features for encouraging social interactions. Thus, its name, Mă Way. You do it your way. Furthermore, the canvas onto which the character is calligraphed, the negative surrounding space, complement the path of playful activities with different pocket plazas for leisure, offering seating opportunities in the form of sunken plazas, and shaded areas for kids and adults alike, as well as sports areas for youngsters and teenagers or floor games for kids, converting the space in a multi-functional and multi-generational square. Taking advantage of the independence of one of the strokes, separated from the main calligraphic body, we proposed a vertical play-wall, which when seen from above looks like a straight stroke line, and when seen from a pedestrian point of view, it becomes a challenging wall full of perforations & vertical games besides climbing and sliding opportunities. Mă Way has been thoughtfully developed as a “Play Route” from end to end of the different character strokes, having into consideration different challenges and levels of difficulty for different age groups along the path. Calligraphy strokes on the floor set the path along which kids have fun and adults gather or have a rest, unifying them in a colorful path that gives shape and order to the Play Route.
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YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_Ls5vbU7HLSA
Under the Sea is an intervention of the public realm of a newly built mixed-use development in the city of Chongqing, aiming to activate the open-air retail street through visual stimulation. Large floor graphics depicting a stream of water, and a series of eye-catching and socially engaging installations themed as an Undersea World along the pedestrian area play an important role in the social activation of the space as well as in the stimulation of visitors and users. As its name reveals, the project depicts a colorful and intricate Undersea World, the natural habitat of the Starfish Xingzai, our client’s IP Mascot. We make Xingzai embark on an undersea journey where he meets jellyfishes, algae, shells, octopuses, and even a whale! Designed as an eventful and meandering stream of water, the grey pedestrian street’s floor turns into a colorful painted scape in Aquamarine hues, encouraging both, pedestrian circulation along the street to keep discovering as well as taking pauses in the mini pocket plazas where floor games and play equipment provide encapsulated doses of joy and entertainment to kids and adults alike. Taking advantage of the retail street’s layout in 3 different levels due to the site’s topography, the project is carefully designed starting on the top level, where subway stations and arrival points are located, following the water stream downhill to the lower levels, as water would physically behave, to smartly use the full potential of the available space, guiding visitors through the middle level of the retail street, finding fun features and deep sea creatures along the pathway, down to the lower level where the stream of water is stagnant revealing the big starfish Xingzai. All the 3-dimensional sea creatures and other urban furniture and floor games are strategically located concentrically over contrasting bubbles in Coral hues, organized in a way that leaves accessible the emergency fire track. Under the Sea has been thoughtfully developed as a “Play Route”, having into consideration different challenges and levels of difficulty for different age groups in different areas. A directional stripe on the floor guides visitors from bubble to bubble, unifying them in a coral path that gives shape and order to the Play Route. Each of the coral bubbles is a platform hosting specific functions and features that encourage social interactions through leisure and play. Those programmatic bubbles initially executed as 2D floor graphics for circulation, in certain moments become 3D shapes forming urban furniture, play structures, and objects for leisure. Altogether, the intervention enhances and stimulates the experience of visitors along the newly built pedestrian street, and creates successfully a very colorful and stimulating community hub for the neighbors and visitors.
Under the Sea by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ__7AEkR59NCY
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