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垂直时代

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垂直时代

垂直时代：公共娱乐空间的再生

5
垂直时代

© 100architects

05

4月

2016

纽约

America/New_York

English

Population: 18 Million19 in 2025

GDP: 1.18 1,55 in 2025

BigMac: 5 美元

垂直时代
时代广场 | 纽约 | 美国
 
简介
在这个独特案例中，为了给市民和游客创造一处依托目前城市景观的商业化转变，佰筑被要求探索在时代广场中，嵌入与常规的城市公园相关的公共功能和环境的可能性。简言之，把广场变成一个更具功能性、更具城市特色的娱乐空间。
 
 

©100architects

当提及时代广场的时候，我们考虑的是如何利用和改造有限的可用空间，以及如何在本身已经颇具影响力的地方创造有更具影响力的效果时，“垂直性”和“密度”这两个概念立即跃入脑海中。
 
 

©100architects

在这个城市快速发展和城市环境高密度的时代，围绕“紧凑型城市”的概念出现了许多理论，这些理论涉及如何以更有效的方式组织和优化这种密度和多样性，从而对城市的空间和生态足迹产生积极影响，以及对土地，资源和能源的消耗提高使用效率。
 
 

©100architects

垂直时代是由这些问题产生之际所催生的项目，呼吁探索新的思维方式和理解城市公共空间的新形态，以及在未来城市中所扮演的新角色。
 
 

©100architects

概念
垂直时代的主要概念在于，由于可用空间的缺乏，效仿了纽约市的增长模式，将公共娱乐的预期空间以垂直方式使其倍增，压缩在一个可活动的装置中，形成了垂直的公园。
 
 

©100architects

垂直时代在公共空间设计中采用了不同的方法，不再需要较大的水平横向扩展土地，而是多层设计结构，对土地消耗的影响较小，从而大大减少了要使用的水平空间，并且在更好地融入城市环境的同时，在城市中建立了高知名度的地标建筑。
 
 

©100architects

功能
前2个吊舱将专门用于儿童娱乐活动，如第一个吊舱是游乐场和第二个吊舱是球池。接下来的两个吊舱将用于举办与公共休闲和绿地相关的功能，第三个吊床广场，第四个吊床花园。
 
最后，顶层2个吊舱是餐饮商业区，第5个吊舱是一个餐厅，第6个吊舱是空中酒廊。
 
 

©100architects

结构
该结构是混凝土与钢的组合架构，以钢筋混凝土中心核心为基础，充当将荷载支撑到地面的主柱，并承载中心升降机；以及支撑每个平台的径向钢梁。
 
圆柱体外部还有金属张量的二级结构，吸收振动。
 
 

©100architects

尺寸
装置外形是一个直径为12米，总高度为55米的虚拟圆柱体中。
 
在平面图中，该装置体积仅为113平方米，恰恰是因为，除去地面的中心支柱以后，将其他结构性的元素彻底从地面空间上解放出来。

 
 
项目信息
 
项目名称: 垂直时代
设计方: 佰筑建筑设计咨询（上海）有限公司
设计团队: Marcial Jesús, Madalena Sales, Javier Gonzalez
客户: 未披露
面积: 676m2
状态: 未建
项目地点: 美国纽约时代广场

About

垂直时代

它垂直增加了公共娱乐的预期空间，将其压缩在一个多功能的迷你塔中，效仿了现代城市的增长模式，将对地面的影响最小化。

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About

社区介入

More images

©100architects

垂直时代的主要概念在于，将公共娱乐的预期空间以垂直方式使其倍增，压缩在一个可活动的装置中，形成了垂直的公园。

©100architects

©100architects

垂直时代在公共空间设计中采用了不同的方法，不再需要较大的水平横向扩展土地，而是多层设计结构，对土地消耗的影响较小

©100architects

©100architects

项目的多层结构由6个吊舱组成，垂直排列，高达55米。

©100architects

©100architects

游乐场，球池，吊床广场，空中花园，餐饮商业区，餐厅，在顶楼的空中酒廊

©100architects

©100architects

该结构是混凝土与钢的组合架构，以钢筋混凝土中心核心为基础，充当将荷载支撑到地面的主柱，并承载中心升降机；

©100architects

©100architects

在平面图中，该装置体积仅为113平方米，恰恰是因为，除去地面的中心支柱以后，将其他结构性的元素彻底从地面空间上解放出来。

©100architects

©100architects

垂直时代在公共空间设计中采用了不同的方法，不再需要较大的水平横向扩展土地，而是多层设计结构，对土地消耗的影响较小

©100architects

©100architects

装置外形是一个直径为12米，总高度为55米的虚拟圆柱体中。

©100architects

建筑设计

社区介入

社区介入

© 100architects

什么是社区介入?
社区介入是发生在城市空间尺度的中等规模的介入，与改变一个社区的部分区域有关。这种规模和关注度如此之大的介入手法，不仅直接影响周围的城市环境，更重要的影响着整个社区的城区动态，成为当地区域性地标和特定社区社交的吸引点。
 
在大多数情况下，这种类型结合了几种介入方式，例如彩绘景观和地面装置，几乎从景观设计的角度介入现有的城市环境，通过创造集体休闲，娱乐，玩耍和欢乐等机会的空间，驱动整个社区的最主要社交互动。
 
这种类型的主要目的是通过强烈的视觉冲击（通常是永久性的），激发公众对该地方的巨大兴趣，促使场地丰富度的提高，并建立一个城市地标，可以培养重要的人文活力和促进商业活动。

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设计方案受到中国传统乡村建筑的极大启发，并注入现代风格元素。传统与现代风格的交融，是在乡村环境背景中建设精品旅游目的地成功的关键。因此，我们在方案中汲取了中国传统乡村建筑的若干经典要素。

隐·居

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Good spot to have a chat

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This slide coming out from the jellyfish is so fun!

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出版

最新
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100 Architects in 250 Things a Landscape Architect should know

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100 Architects in 250 Things a Landscape Architect should know

The Nest in Here Graphics book from Korea

The Nest in Here Graphics book from Korea

The Nest in another example of eye-catching and hyper-stimulating design done by 100 Architects to improve and beautify the urban public realm, in this case in the city of Chengdu. the capital of the Chinese province of Sichuan.

The Nest in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom is a new example of eye-catching urban playscape designed by 100 Architects on the rooftop of Gateaway One, a newly built shopping mall in Nanshan District, Shenzhen, China.

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100architects
Shanghai Smart Booths is the result of 100architects’ second collaboration with the Shanghai Branch of China Telecom, the state-owned Chinese telecommunications company, after our previous Orange Phone Booths, where we did an exercise of turning these old relics into modern functional urban furniture. This time we went beyond that. Once essential technology that played a great role in connecting thousands of people across cities and countries, phone booths these days are disappearing from the face of the cityscapes. The city of New York, for mentioning one, bade its farewells to the last free-standing phone booth on May 23, 2022. Unable to meet the demands of the rapidly changing daily communication needs of urban dwellers, the phone booths that are still standing in Shanghai are seen as telecommunication relics, forgotten, neglected, and sometimes sadly mistreated. The new Shanghai Smart Booth is a unique type of urban artifact powered by solar panels on its roof, a sophisticated design that demonstrates the infinite potential of creative thinking about the urbanscape and public realm. Equipped with a variety of new features, these technologically upgraded versions of old iconic Shanghai phone booths cater to the needs of the progressive tech-savvy population of Shanghai as much as to the safety needs of the elderly who may still remember using phone booths for their primary function. In addition to a free three-minute phone call, these new, yet traditionally red, digitalized phone kiosks offer around-the-clock Wi-Fi hotspots, 5G transceivers, wireless charging for mobile devices, as well as USB connectivity, touch screens with city maps and easy one-click taxi-hailing services. A panic button along with such artificial intelligence features as face recognition is meant to assist the elderly and tackle an alarming problem of elderly people going missing in China. Designing with practicality and functionality in mind, we couldn’t leave the fun out and slotted in a selfie wall that will be surely favored by selfie kings and queens, providing this booth with a new fun way to interact with its users. To revamp the old booth while yet keeping the aesthetic soul and recognizable features of the old version (rouge red color, sloped hat on top, boxy shape), the defining features of our new design became soft lines, rounded edges, minimalist smooth surfaces, and functional thoughtful details. The addition of a pinch of color-contrast between the outer red layer and the inner black meandering stripe contributed to inject strength and power to the contemporary statement wanted to be made. Such integration of functional upgraded digital features in the contemporary look and feel of the new China Telecom phone box is an effort to make the phone booth an essential part of the cityscape again, and a part of the collective urban consciousness, a place to connect and interact, a place to recharge, slow down and have a cup of coffee, to take a shelter from rain or sizzling heat, and most importantly, a place to create a link that connects phone booths with the past, present and future of this city's history.
Shanghai Smart Booth by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_zNy3uoyaOjM
Mă Way is yet another twist in our recurring series of projects revolving around the concept of the Horse for our regular client, Dong Yuan. First came the popular HorseBox in Chengdu; soon after, the least abstract ones, HorseLand & SeaHorse, both in Chongqing; and finally, the latest, largest, and most famous one, Pegasus Trail also in Chongqing. After 4 different successful projects exploring alternative ways of playing around the same Dong Yuan’s IP image of the Horse, they reached out to us a 5th time for yet another fun twist. This time, for the public realm of a newly built residential development in the city of Hangzhou, our response was a bit more calligraphic: A playscape driven by the actual shape of the Chinese character Mă (马) which guess what? Yeah, it means Horse. In order to be visible, recognizable, and even readable from all the surrounding residential towers, we created a huge Chinese character in eye-catching monochromatic aquamarine green color and then turned it into a playscape. We realized that the character’s calligraphic stroke, when geometricized, was ideal for becoming a playful path or Way of entertaining activities filled with challenging obstacles & fun features for encouraging social interactions. Thus, its name, Mă Way. You do it your way. Furthermore, the canvas onto which the character is calligraphed, the negative surrounding space, complement the path of playful activities with different pocket plazas for leisure, offering seating opportunities in the form of sunken plazas, and shaded areas for kids and adults alike, as well as sports areas for youngsters and teenagers or floor games for kids, converting the space in a multi-functional and multi-generational square. Taking advantage of the independence of one of the strokes, separated from the main calligraphic body, we proposed a vertical play-wall, which when seen from above looks like a straight stroke line, and when seen from a pedestrian point of view, it becomes a challenging wall full of perforations & vertical games besides climbing and sliding opportunities. Mă Way has been thoughtfully developed as a “Play Route” from end to end of the different character strokes, having into consideration different challenges and levels of difficulty for different age groups along the path. Calligraphy strokes on the floor set the path along which kids have fun and adults gather or have a rest, unifying them in a colorful path that gives shape and order to the Play Route.
MaWay by 100architects through the lens of Lalo
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_Ls5vbU7HLSA
Under the Sea is an intervention of the public realm of a newly built mixed-use development in the city of Chongqing, aiming to activate the open-air retail street through visual stimulation. Large floor graphics depicting a stream of water, and a series of eye-catching and socially engaging installations themed as an Undersea World along the pedestrian area play an important role in the social activation of the space as well as in the stimulation of visitors and users. As its name reveals, the project depicts a colorful and intricate Undersea World, the natural habitat of the Starfish Xingzai, our client’s IP Mascot. We make Xingzai embark on an undersea journey where he meets jellyfishes, algae, shells, octopuses, and even a whale! Designed as an eventful and meandering stream of water, the grey pedestrian street’s floor turns into a colorful painted scape in Aquamarine hues, encouraging both, pedestrian circulation along the street to keep discovering as well as taking pauses in the mini pocket plazas where floor games and play equipment provide encapsulated doses of joy and entertainment to kids and adults alike. Taking advantage of the retail street’s layout in 3 different levels due to the site’s topography, the project is carefully designed starting on the top level, where subway stations and arrival points are located, following the water stream downhill to the lower levels, as water would physically behave, to smartly use the full potential of the available space, guiding visitors through the middle level of the retail street, finding fun features and deep sea creatures along the pathway, down to the lower level where the stream of water is stagnant revealing the big starfish Xingzai. All the 3-dimensional sea creatures and other urban furniture and floor games are strategically located concentrically over contrasting bubbles in Coral hues, organized in a way that leaves accessible the emergency fire track. Under the Sea has been thoughtfully developed as a “Play Route”, having into consideration different challenges and levels of difficulty for different age groups in different areas. A directional stripe on the floor guides visitors from bubble to bubble, unifying them in a coral path that gives shape and order to the Play Route. Each of the coral bubbles is a platform hosting specific functions and features that encourage social interactions through leisure and play. Those programmatic bubbles initially executed as 2D floor graphics for circulation, in certain moments become 3D shapes forming urban furniture, play structures, and objects for leisure. Altogether, the intervention enhances and stimulates the experience of visitors along the newly built pedestrian street, and creates successfully a very colorful and stimulating community hub for the neighbors and visitors.
Under the Sea by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ__7AEkR59NCY
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