城市介入

对城市大面积区域及其居民产生影响的介入措施

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城市介入

© 100architects

11

4月

2013

Typology

什么是城市介入？
 
这是在城市公共空间中发生的最大规模的介入类型——可以改变城市重要区域。这种介入的规模和关注度不单纯影响社区，更是影响到了城市的感知和体验方式，成为一个都市地标，也是都市社交互动的超级打卡点，更是成为当地居民和游客的时尚国际目的地。
 
这种类型结合了城市规划和景观设计，可以是在滨海滨、桥梁、公园或整个城市地区进行介入。通过提高公共空间的质量，创造具有户外休闲，综合娱乐，游戏和欢乐等机会的空间。这类型的介入方式催生了主要的城市社交的互动，助益商业活动和房地产开发。
 
城市介入的主要目的是改善整个城市的公共空间，提高市民户外生活标准的门槛，鼓励大规模的公共富裕，并在给定的大都市地区培养重要的人文动态。
 
 

Great Green Wall by 100architects

 

Great Green Wall study Collages

 

Wavy Beach by 100architects

 

Open Bottom Tower study model

 

Starfish by 100architects

 

City Scape study model

 

The Ring by 100architects

 

Urban Piers study model

 

Urban Piers study model

© 100architects

© 100architects

佰筑 INS

最新风采
Music selfie

Music selfie

From inside or outside you can take nice selfies

Photo by Xiaomi

Taken at SHANGHAI SMART BOOTH

Good spot to have a chat

Good spot to have a chat

With the seat, the table, and the light this is a perfect spot where to stop to have a chat with your friends

Photo by Lalo

Taken at SHANGHAI SMART BOOTH

Jelly tentacles

Jelly tentacles

This slide coming out from the jellyfish is so fun!

Photo by Kevin

Taken at UNDER THE SEA

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出版

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100 Architects in 250 Things a Landscape Architect should know

100 Architects in 250 Things a Landscape Architect should know

Marcial Jesus (100architects) write 5 of the 250 Things a Landscape Architect should know, an abroad collection of knowledge and insight into architecture and common knowledge.

100 Architects in 250 Things a Landscape Architect should know

The Nest in Here Graphics book from Korea

The Nest in Here Graphics book from Korea

The Nest in another example of eye-catching and hyper-stimulating design done by 100 Architects to improve and beautify the urban public realm, in this case in the city of Chengdu. the capital of the Chinese province of Sichuan.

The Nest in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom in Here Graphics book from Korea

Octopus Kingdom is a new example of eye-catching urban playscape designed by 100 Architects on the rooftop of Gateaway One, a newly built shopping mall in Nanshan District, Shenzhen, China.

Octopus Kingdom in Here Graphics book from Korea

100architects

100architects
Shanghai Smart Booths is the result of 100architects’ second collaboration with the Shanghai Branch of China Telecom, the state-owned Chinese telecommunications company, after our previous Orange Phone Booths, where we did an exercise of turning these old relics into modern functional urban furniture. This time we went beyond that. Once essential technology that played a great role in connecting thousands of people across cities and countries, phone booths these days are disappearing from the face of the cityscapes. The city of New York, for mentioning one, bade its farewells to the last free-standing phone booth on May 23, 2022. Unable to meet the demands of the rapidly changing daily communication needs of urban dwellers, the phone booths that are still standing in Shanghai are seen as telecommunication relics, forgotten, neglected, and sometimes sadly mistreated. The new Shanghai Smart Booth is a unique type of urban artifact powered by solar panels on its roof, a sophisticated design that demonstrates the infinite potential of creative thinking about the urbanscape and public realm. Equipped with a variety of new features, these technologically upgraded versions of old iconic Shanghai phone booths cater to the needs of the progressive tech-savvy population of Shanghai as much as to the safety needs of the elderly who may still remember using phone booths for their primary function. In addition to a free three-minute phone call, these new, yet traditionally red, digitalized phone kiosks offer around-the-clock Wi-Fi hotspots, 5G transceivers, wireless charging for mobile devices, as well as USB connectivity, touch screens with city maps and easy one-click taxi-hailing services. A panic button along with such artificial intelligence features as face recognition is meant to assist the elderly and tackle an alarming problem of elderly people going missing in China. Designing with practicality and functionality in mind, we couldn’t leave the fun out and slotted in a selfie wall that will be surely favored by selfie kings and queens, providing this booth with a new fun way to interact with its users. To revamp the old booth while yet keeping the aesthetic soul and recognizable features of the old version (rouge red color, sloped hat on top, boxy shape), the defining features of our new design became soft lines, rounded edges, minimalist smooth surfaces, and functional thoughtful details. The addition of a pinch of color-contrast between the outer red layer and the inner black meandering stripe contributed to inject strength and power to the contemporary statement wanted to be made. Such integration of functional upgraded digital features in the contemporary look and feel of the new China Telecom phone box is an effort to make the phone booth an essential part of the cityscape again, and a part of the collective urban consciousness, a place to connect and interact, a place to recharge, slow down and have a cup of coffee, to take a shelter from rain or sizzling heat, and most importantly, a place to create a link that connects phone booths with the past, present and future of this city's history.
Shanghai Smart Booth by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_zNy3uoyaOjM
Mă Way is yet another twist in our recurring series of projects revolving around the concept of the Horse for our regular client, Dong Yuan. First came the popular HorseBox in Chengdu; soon after, the least abstract ones, HorseLand & SeaHorse, both in Chongqing; and finally, the latest, largest, and most famous one, Pegasus Trail also in Chongqing. After 4 different successful projects exploring alternative ways of playing around the same Dong Yuan’s IP image of the Horse, they reached out to us a 5th time for yet another fun twist. This time, for the public realm of a newly built residential development in the city of Hangzhou, our response was a bit more calligraphic: A playscape driven by the actual shape of the Chinese character Mă (马) which guess what? Yeah, it means Horse. In order to be visible, recognizable, and even readable from all the surrounding residential towers, we created a huge Chinese character in eye-catching monochromatic aquamarine green color and then turned it into a playscape. We realized that the character’s calligraphic stroke, when geometricized, was ideal for becoming a playful path or Way of entertaining activities filled with challenging obstacles & fun features for encouraging social interactions. Thus, its name, Mă Way. You do it your way. Furthermore, the canvas onto which the character is calligraphed, the negative surrounding space, complement the path of playful activities with different pocket plazas for leisure, offering seating opportunities in the form of sunken plazas, and shaded areas for kids and adults alike, as well as sports areas for youngsters and teenagers or floor games for kids, converting the space in a multi-functional and multi-generational square. Taking advantage of the independence of one of the strokes, separated from the main calligraphic body, we proposed a vertical play-wall, which when seen from above looks like a straight stroke line, and when seen from a pedestrian point of view, it becomes a challenging wall full of perforations & vertical games besides climbing and sliding opportunities. Mă Way has been thoughtfully developed as a “Play Route” from end to end of the different character strokes, having into consideration different challenges and levels of difficulty for different age groups along the path. Calligraphy strokes on the floor set the path along which kids have fun and adults gather or have a rest, unifying them in a colorful path that gives shape and order to the Play Route.
MaWay by 100architects through the lens of Lalo
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ_Ls5vbU7HLSA
Under the Sea is an intervention of the public realm of a newly built mixed-use development in the city of Chongqing, aiming to activate the open-air retail street through visual stimulation. Large floor graphics depicting a stream of water, and a series of eye-catching and socially engaging installations themed as an Undersea World along the pedestrian area play an important role in the social activation of the space as well as in the stimulation of visitors and users. As its name reveals, the project depicts a colorful and intricate Undersea World, the natural habitat of the Starfish Xingzai, our client’s IP Mascot. We make Xingzai embark on an undersea journey where he meets jellyfishes, algae, shells, octopuses, and even a whale! Designed as an eventful and meandering stream of water, the grey pedestrian street’s floor turns into a colorful painted scape in Aquamarine hues, encouraging both, pedestrian circulation along the street to keep discovering as well as taking pauses in the mini pocket plazas where floor games and play equipment provide encapsulated doses of joy and entertainment to kids and adults alike. Taking advantage of the retail street’s layout in 3 different levels due to the site’s topography, the project is carefully designed starting on the top level, where subway stations and arrival points are located, following the water stream downhill to the lower levels, as water would physically behave, to smartly use the full potential of the available space, guiding visitors through the middle level of the retail street, finding fun features and deep sea creatures along the pathway, down to the lower level where the stream of water is stagnant revealing the big starfish Xingzai. All the 3-dimensional sea creatures and other urban furniture and floor games are strategically located concentrically over contrasting bubbles in Coral hues, organized in a way that leaves accessible the emergency fire track. Under the Sea has been thoughtfully developed as a “Play Route”, having into consideration different challenges and levels of difficulty for different age groups in different areas. A directional stripe on the floor guides visitors from bubble to bubble, unifying them in a coral path that gives shape and order to the Play Route. Each of the coral bubbles is a platform hosting specific functions and features that encourage social interactions through leisure and play. Those programmatic bubbles initially executed as 2D floor graphics for circulation, in certain moments become 3D shapes forming urban furniture, play structures, and objects for leisure. Altogether, the intervention enhances and stimulates the experience of visitors along the newly built pedestrian street, and creates successfully a very colorful and stimulating community hub for the neighbors and visitors.
Under the Sea by 100architects
YouTube Video UCyoOpK5SjZlridYZ2AqFUFQ__7AEkR59NCY
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